Las óleos de todo MASOLINO da Panicale

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Painting (From A to Z)

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51675

Archangel Gabriel

nn09 c.1732 tempera on wood 76x57cm National Gallery of Art

8082

Banquet of Herode (detail) sg

1435 Fresco Fonte Battisemale, Castiglione Olona

8083

Crucifixion hjy

1428-30 Fresco San Clemente, Rome

32399

Healing of the Cripple and Raising of Tabatha

1426-27 Fresco, 255 x 162 cm

32404

Healing of the Cripple and Raising of Tabatha

1426-27 Fresco, 255 x 162 cm

59776

Madonna and Child, Saint Anne and the Angels

Madonna and Child, Saint Anne and the Angels

8085

Madonna with the Child s

Wood, 95,5 x 57 cm Alte Pinakothek, Munich

28911

Modonna of Humility

mk65 Tempera on panel 43 1/2x24 7/16in Uffizi,

97782

Pope Gregory the Great

between 1428(1428) and 1429(1429) cyf

23375

Saint Peter and Saint Paul (nn03)

c 1428 Oil on panel 114.5 x 54.4 cm 45 x 21 3/8 in Philadelphia Museum of Art Philadelphia PA

32403

St Peter Preaching

1426-27 Fresco, 255 x 162 cm

55925

Temptation of Adam and Eve

mk247 c.1426,fresco,82x34.675 in Brancacci chapel,santa maria del carmine,florence,ltaly

8081

The Annunciation syy

1425-30 Tempera on panel, 148 x 115 cm National Gallery of Art, Washington

59777

The Annunciation, National Gallery of Art

The Annunciation, National Gallery of Art

8084

The Evangelists and The Doctors of Church sg

1428-30 Fresco San Clemente, Rome

8088

The Martyrdom of St Catherine sg

1428-30 Fresco San Clemente, Rome

8086

The Philosophers of Alexandria sg

1428-30 Fresco San Clemente, Rome

8087

The Philosophers of Alexandria (detail) sg

1428-30 Fresco San Clemente, Rome

32406

The Temptation

1426-27 Fresco, 208 x 88 cm

MASOLINO da Panicale

Italian Early Renaissance Painter, ca.1383-1447 Florentine painter of the early Renaissance, whose real name was Tommaso di Cristoforo Fini. His versatile painting incorporated his feeling for decorative color with strong modeling and spatial organization. He was admitted (1423) to the apothecaries' guild in Florence, in which painters were enrolled, and was soon commissioned to paint the frescoes in the Brancacci Chapel in Florence. These were continued by his pupil Masaccio upon Masolino's departure (1427) for Hungary and were completed by Filippino Lippi, thus greatly complicating the question of authorship; currently scholars attribute to Masolino St. Peter Preaching, St. Peter Healing the Cripple, The Raising of Tabitha, and The Fall of Adam and Eve. Upon his return to Florence, Masolino found painters occupied with problems of perspective, light and shade, and classical architecture and decoration, ideas that he utilized while retaining much of the old Giottesque tradition. He went to Rome where he painted frescoes in the Church of San Clemente for the Cardinal Branda Castiglione. For the same patron he decorated the church of Castiglione di Olona in the province of Como, Italy. There he represented scenes from the life of the Virgin and of St. John the Baptist. Attributed to Masolino are The Foundation of Santa Maria Maggiore and a Madonna and Christ in Glory (Naples);

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